2016 is upon us…

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Well, here we are. Another year. My mom always said the older you got, the faster time went by. Which is kinda weird to me, since your body begins to slow down with age, you would think it would be the opposite. Maybe your just more aware of it by then.

I don’t know about you, but for me, 2015 held a lot of writing milestones. Querying my manuscript became a reality, instead of just a dream. Then, I found a fabulous editor, (shout out Katelyn Stark) who has not only been the most patient person in the world, but has expanded my knowledge of the craft in immeasurable ways. She’s really been a true savior when it came to helping me think “outside the box.”

My social media has grown and it’s because of all my awesome followers on this blog, Twitter, Facebook, Instagram, and Linkedin. Thank you so much for following, reading, your comments, and feedback. Sometimes just knowing that I have people who care and are interested, keeps me motivated to keep going in my writing.

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I have high hopes for 2016, finishing up with my editor, moving to an agent, and on to publishing…dreams that I’ve waited years for. Yes, 2016 is upon us.

I pray that all of you out there whose dreams are the same as mine, will succeed in 2016. I wish luck in all that you do and in all your writing endeavors. I truly feel blessed to be a part of the writer’s tribe and all its readers.

Happy Writing in 2016!!!!

Do you suffer from F.A.P. ???

Fear and Procrastination. Two nasty little words that obliterate a writer’s craft before it’s completed.

I’ve written blogs before on inspiration and keeping that perseverance going. But what happens when you just don’t think you have it in you to write one more page, write one more word? Just because we’re writers doesn’t mean the words come easy. It’s not like our pens become magic wands, making all our dreams come true in five seconds. So, what if your “small break” ends up being two months of pure nothingness?

You start having that fear creep inside you. That voice that says, “you’ll never get there. You were so close, all that work, and now its just collecting dust, like all your other projects you never finished. Good job, buddy. Don’t quit your day job.”

And there it starts. After fear catches you, then procrastination keeps you. He’s the little thief in the night that watches your every movement until…BAM…he’s in your house while you’re asleep, grabbing all your precious things.


Procrastination is the thief of time, collar him.”  ~ Charles Dickens, David Copperfield


How does a writer move on from that? At times, procrastination can almost be debilitating. It’s similar to how depression is described in some people, the fear of failure but no urge to be productive. Some of the best pieces of work have never left a writer’s mind because of that robber who steals our time and thoughts. We make excuses saying it’s our spouse, our full-time job, friends, or our kids that need our time more. “Life is just busy right now.” We say to ourselves. “I’m moving, changing jobs, my daughter has basketball practice, I’m getting married, I’m getting divorced, the holidays are coming up, etc.”

FAP


The thing all writers do best is find ways to avoid writing.”  ~ Alan Dean Foster


Sometimes, it’s as simple as guilt from a family member. You know the person I’m talking about. The one that says your writing is just a “hobby” and really it should come behind everything else. Before we know it, days, weeks, months, maybe even years have gone by. We feel like we’ve missed our moment.

Other times, it’s the discouragement of comparing ourselves to other writers. “How did Suzy Smith write and edit her 100K word manuscript in six months? She’s going to be published in the Spring!” You gaze at the piles of crumpled paper that surround your desk. The red ink smudged all over your 40K word rough draft that you’ve been working on for nearly two years. “She even has a husband and three kids! She does carpool and works for an attorney! How is that even possible!? I might as well just hang in the towel. If I was meant to be a writer, I’d be where Suzy is at.”

I went through some of this, just recently. Thankfully, I had a fantastic editor who didn’t give up on me. Shout out Katelyn Stark! She showed me that I could do it. I could finish, and that yes, life happens, but not to let it take all the reasons from me that caused me to start writing in the first place. Life is always moving and changing around you. But all you have to do is take that one step. Plug in that USB to your laptop, punch those keys with your fingers, take that paper out of your desk and pick up your pen. You’ll find that when you start again, it’s like an old friend the you thought was gone, but in fact, never left.

This blog is probably the most important one so far that I’ve written. Mostly, because it comes from a very dark place that I’ve been in with my writing. I’ve feared so much of not being able to cut it, never getting published, seeing others around me write faster or better, believing that maybe all the signs I thought I had seen, were just a mistake. Maybe, I really wasn’t a writer. I just got caught up in the moment. Maybe it had been just a lie I had wanted so badly.

I’ve written about patience in the writing industry on my blog. Every part of it is true. Sometimes you must have it with agents, editors, publishers, but more often than you think, we need it for ourselves too. It’s amazing how we start out with this drunk euphoria when we begin a new project. The OOOH’s and AAAH’s of our family and friends. “I can’t believe your writing a book! That’s amazing! This story is fantastic!” How quickly in diminishes once we’ve been at it for a while. The cheerleading that we once were given fades away, and we realize that we need something else to carry us through. Emotions are fleeting. It sound cliché, but still true.

It’s amazing how each one of us have this internal time clock that makes us feel like we need to go faster in our writing. We focus so much on reaching that end mark of success, that we let the joy of writing slip past us. We forget, making it become just another check mark on our list. Just another task we finished for the day. Don’t let it be that!!

I never understood the importance of the question, “Why do you write?” At least not, until recently. What’s the significance of it? I’ll tell you. We need to know and understand what our driving force is to write. This is the key that will deepen ourselves and our writing into breaking free of that dark time of fear and procrastination. We must hold on tight to those reasons of why we write in the first place.


Alice Hoffman “I wrote to find beauty and purpose, to know that love is possible and lasting and real, to see day lilies and swimming pools, loyalty and devotion, even though my eyes were closed and all that surrounded me was a darkened room. I wrote because that was who I was at the core, and if I was too damaged to walk around the block, I was lucky all the same. Once I got to my desk, once I started writing, I still believed anything was possible.” (August 2000)


I write this blog now, in hopes that it will help other writers know that they aren’t alone. If you’re not a writer, you can’t understand the mental battle that takes place every day in a writer’s mind. The fears, the hunger, the courage, and determination that each of us must possess to finish our work.

What separates us from the people who only desire to be a writer isn’t our work or its completion, that it’s published, or that we were asked to be a speaker at a writing conference. Our choice and what we do with it is what divides us. The choice to give in to those dark lies, or the choice to believe that we were created to write something no one else could. No other can write the same words we put on the page. It’s our own distinct and unique fingerprint on the world, whether it get’s published, or simply, that you take a stack of papers from a desk drawer one day and give them to your grandkids to read and cherish. Either way, it’s yours, and yours alone.


I found this great blog article that talks about the daily routines of 12 famous authors. http://jamesclear.com/daily-routines-writers  It’s pretty amazing to see the differences in what each of them do, and how they find their own success in writing.

Last but not least, I leave you with a few quotes that I hope will encourage you in your writing journey.

“Success is not final, failure is not fatal: it is the courage to continue that counts.” Winston Churchill

“I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.” Frank Herbert

“Inaction breeds doubt and fear. Action breeds confidence and courage. If you want to conquer fear, do not sit home and think about it. Go out and get busy.” Dale Carnegie

“Fear is only as deep as the mind allows.” Japanese Proverb

We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out. ” Ray Bradbury

 

Happy Writing Ya’ll!

 

 

 

 

 

9 Things you may not have known about J.R.R. Tolkien…

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Happy Friday!! In honor of Fun Fact Friday, I thought I would end our week with a few little facts about one of my FAVORITE authors of all times, and perhaps yours too!!!

Who doesn’t love Lord of the Rings!?! Who isn’t just mesmerized by the depth of J.R.R. Tolkien’s writing endeavors? He would definitely be on my list of top people to meet if he were still alive. Just awesomeness…

Anyway, here’s the article I found by Jason Todd. Enjoy!!


In honor of the The Hobbit: The Desolation of Smaug, here are nine things about John Ronald Reuel Tolkien and his work that you might not have known.

He did not write The Hobbit for children

“I am not specially interested in children, and certainly not in writing for them: i.e. in addressing directly and expressly those who cannot understand adult language,” he wrote in a letter. The Hobbit reads like a children’s story because Tolkien had children of his own and was in the regular habit of making up stories for them. Nevertheless, he did not believe in writing down to anyone, especially to children. He took them seriously, even if they were not his main audience.

Though he was a voracious reader, he rarely read the same book twice

In An Experiment in Literary Criticism, C.S. Lewis said that a mark of the unliterary was that they rarely read the same book twice, and that was an accurate definition for Tolkien. “Nothing, not even a (possible) deeper appreciation, for me replaces the bloom on a book, the freshness of the unread,” he wrote. “Still, what we read and when goes, like the people we meet, by ‘fate.’”

He invented more than 14 languages

There’s debate over exactly how many languages Tolkien invented, but he was certainly a lover of languages and started inventing his own at a young age. He used some of his invented languages in his writing, and he also mastered and wrote in extinct languages such as Gothic and Medieval Welsh.

His faith unconsciously seeped into his writing

The Lord of the Rings is of course a fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision,” he wrote. “That is why I have not put in, or have cut out, practically all references to anything like ‘religion,’ to cults or practices, in the imaginary world. For the religious element is absorbed into the story and the symbolism.”

In the mind of his creator, Sam Gamgee was the real hero of The Lord of the Rings

“I think the simple ‘rustic’ love of Sam and his Rosie (nowhere elaborated) is absolutely essential to the study of his (the chief hero’s) character, and to the theme of the relation of ordinary life (breathing, eating, working, begetting) and quests, sacrifice, causes, and the ‘longing for Elves’, and sheer beauty.” If you want to understand the books, look at how Sam loves his wife.

He would have felt right at home in the Shire

Perhaps the writer created Hobbits a bit in his own image. “I am in fact a Hobbit (in all but size). I like gardens, trees, and unmechanized farmlands; I smoke a pipe, and like good plain food (unrefrigerated), but detest French cooking; I like, and even dare to wear in these dull days, ornamental waistcoats. I am fond of mushrooms (out of a field); have a very simple sense of humour (which even my appreciative critics find tiresome); I go to bed late and get up late (when possible). I do not travel much.”

He was a WWI veteran

Tolkien served as an officer in the Battle of Somme, but eventually had to return home when he developed a chronic fever. Several of his closest friends died in the war.

He had a very simple view of the meaning of life

“It may be said that the chief purpose of life, for any one of us, is to increase according to our capacity our knowledge of God by all the means we have, and to be moved by it to praise and thanks.”

His fictional world and his real life often intertwined.

In The Silmarillion, Tolkien wrote a story about Beren, a mortal man, and Lúthien Tinúviel, an immortal elf maiden. Lúthien gave up her immortality to marry Beren. Two months after the death of his wife, Edith, Tolkien wrote, “I met the Lúthien Tinúviel of my own personal ‘romance’ with her long dark hair, fair face and starry eyes, and beautyiful voice. And in 1934 she was still with me, and her beautiful children. But now she has gone before Beren, leaving him indeed one-handed.” Tolkien and Edith are buried side-by-side. Below their names on their gravestone are written “Lúthien” and “Beren.”

In 1944, Tolkien’s son, Christopher, was having a rough time in camp with the army. His father wrote the following encouragement, “Well, there you are: a hobbit amongst the Urukhai. Keep up your hobbitry in heart, and think that all stories feel like that when you are in them. You are inside a very great story!”

A majority of the quotes from this article are taken from The Letters of J.R.R. Tolkien, edited by Humphrey Carpenter with the assistance of Christopher Tolkien.


Happy Friday Ya’ll!! I challenge ya’ll to get some writing done this weekend!!! I know I need to!

Adverbs…NOOOOOOO!!!!!

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We all have our struggles, our little negative habits or tidbits that we desperately need to overcome in our writing. Whether it be terrible spelling, procrastination (ME, ME, ME!!!), confusion with POV, or…using the dreaded adverb too many times (ME, ME, ME!!).

If you were like me when I first started out, I thought adverbs were fabulous! They helped with description and some just sounded better with the big ‘LY” at the end. Yeah, no. It took a little bit of research on my part, to realize how much adverbs can water down your story and that, they are not, I repeat, NOT your friend.

As Stephen King put it, “I believe the road to Hell is paved with adverbs, and I will shout it from the rooftops.” And he’s right. One major reason an agent, editor, or publisher might put your manuscript down and move to another, is if your writing is drenched in adverbs. Here’s a little more on what Stephen King had to say about the adverb and on the simplicity of style.

“Employ a simple and straightforward style,” Mark Twain instructed in the 18th of his 18 famous literary admonitions. And what greater enemy of simplicity and straightforwardness than the adverb? Or so argues Stephen King in On Writing: A Memoir on the Craft (public library), one of 9 essential books to help you write better.

Though he may have used a handful of well-placed adverbs in his recent books, King embarks upon a forceful crusade against this malignant part of speech:

The adverb is not your friend.

Adverbs … are words that modify verbs, adjectives, or other adverbs. They’re the ones that usually end in -ly. Adverbs, like the passive voice, seem to have been created with the timid writer in mind. … With adverbs, the writer usually tells us he or she is afraid he/she isn’t expressing himself/herself clearly, that he or she is not getting the point or the picture across.

Consider the sentence He closed the door firmly. It’s by no means a terrible sentence (at least it’s got an active verb going for it), but ask yourself if firmly really has to be there. You can argue that it expresses a degree of difference between He closed the door and He slammed the door, and you’ll get no argument from me … but what about context? What about all the enlightening (not to say emotionally moving) prose which came beforeHe closed the door firmly? Shouldn’t this tell us how he closed the door? And if the foregoing prose does tell us, isn’t firmly an extra word? Isn’t it redundant?

Someone out there is now accusing me of being tiresome and anal-retentive. I deny it. I believe the road to hell is paved with adverbs, and I will shout it from the rooftops. To put it another way, they’re like dandelions. If you have one on your lawn, it looks pretty and unique. If you fail to root it out, however, you find five the next day . . . fifty the day after that . . . and then, my brothers and sisters, your lawn is totally, completely, and profligately covered with dandelions. By then you see them for the weeds they really are, but by then it’s — GASP!! — too late.

I can be a good sport about adverbs, though. Yes I can. With one exception: dialogue attribution. I insist that you use the adverb in dialogue attribution only in the rarest and most special of occasions . . . and not even then, if you can avoid it. Just to make sure we all know what we’re talking about, examine these three sentences:

‘Put it down!’ she shouted.
‘Give it back,’ he pleaded, ‘it’s mine.’
‘Don’t be such a fool, Jekyll,’ Utterson said.

In these sentences, shouted, pleaded, and said are verbs of dialogue attribution. Now look at these dubious revisions:

‘Put it down! she shouted menacingly.
‘Give it back,’ he pleaded abjectly, ‘it’s mine.’
‘Don’t be such a fool, Jekyll,’ Utterson said contemptuously.

The three latter sentences are all weaker than the three former ones, and most readers will see why immediately.

King uses the admonition against adverbs as a springboard for a wider lens on good and bad writing, exploring the interplay of fear, timidity, and affectation:

I’m convinced that fear is at the root of most bad writing. If one is writing for one’s own pleasure, that fear may be mild — timidity is the word I’ve used here. If, however, one is working under deadline — a school paper, a newspaper article, the SAT writing sample — that fear may be intense. Dumbo got airborne with the help of a magic feather; you may feel the urge to grasp a passive verb or one of those nasty adverbs for the same reason. Just remember before you do that Dumbo didn’t need the feather; the magic was in him.

Good writing is often about letting go of fear and affectation. Affectation itself, beginning with the need to define some sorts of writing as ‘good’ and other sorts as ‘bad,’ is fearful behavior.

It’s funny to me how Stephen King vocalizes that he believes that “fear” is at the root of most bad writing, when he is in fact, the author of some of the most terrifying stories of all times. His readers will probably agree with me, that in Mr. King’s case, he might have mastered “fear” to his advantage in his incredible writing.

Just remember, that some adverbs are okay when used moderately (or in moderation-see what I did there?). There will be times you catch yourself still adding an adverb where you don’t need it to be. But as you grow, just like trained singers, writers who’ve mastered technique can make magic with their voices, captivating their readers and making them turn pages. Such a writer’s voice can pulse with vitality, swing like music, create all kind of effects inside readers, compel them by sheer syntactical energy to keep turning the pages. It can only do these things, though, when the writer—like all those great writers from earlier eras—has studied, practiced, and mastered the repertoire of syntactical techniques available to those of us writing in English.

Including how to use—with precision, with care, with passion—the adverb.

Happy Writing Ya’ll!!!

Bad Writing Advice from Famous Authors

I came across this article by, Emily Temple, and it definitely caught my attention. As aspiring authors, as well as established ones, I feel we continuously crave the knowledge of writers before us. We wish to know and learn, from not only their successes, but their mistakes as well. I know when I’m in a writing rut, I enjoy finding different quotes from authors to help gain my motivation and inspiration back.

But, did you ever think about those quotes from authors that…well…might not be the best advice or statement? No one ever talks about those, but they’re out there. Here’s some bad writing advice from a few famous authors. Maybe, this will help you on what NOT to do!


Aspiring writers will never tire of reading lists of writing advice from famous authors, whether legendary or living. And why should they? These lists, the most recent of which to bubble up in our collective consciousness being advice from W.G. Sebald, contain countless encouragements, tips, and (in almost every case) directives to get to it and stop fooling about. But even famous authors can lead young writers astray — after all, not every suggestion works for everyone, or every rule for every type of writing, and we find ourselves deeply skeptical any time anyone tell us we must do something (or not do it). As Sebald himself advised, “Don’t listen to anyone. Not us, either. It’s fatal.” After the jump, a few pieces of bad — at least in our minds — writing advice from famous authors, and if you feel so moved, add to our list in the comments.

“You never have to change anything you got up in the middle of the night to write.” — Saul Bellow

We have found that no one is much interested in our book of half-awake scribblings recounting our dreams.

“Quantity produces quality. If you only write a few things, you are doomed.” — Ray Bradbury

Tell that to Harper Lee.

“Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.” — Kurt Vonnegut

We happen to like a twist ending, thank you very much. Or at least a story that’s not so boring we know exactly what’s going to happen.

“Consistency is the last refuge of the unimaginative.” — Oscar Wilde

Maybe on a grand scale, but not on a sentence level.

“Don’t try.” — Charles Bukowski

Unless he meant this in the Yoda sense (and he didn’t), we’re not biting.

“Write drunk; edit sober.” — Ernest Hemingway

Well, we can support the latter half of this sentiment, or the whole thing if he meant it metaphorically. Somehow we don’t think he did, though.

“Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.” — George Orwell

Never use anything you’ve seen before? That seems like a tall order.

“Avoid detailed descriptions of characters.” and “Same for places and things.” — Elmore Leonard

Of course, it depends on what kind of writing you’re doing, but no descriptions of anything ever? That seems like a sad future of stories in white rooms to us.

“You must refrain from rewriting, except to editorial order.” — Robert A. Heinlein

Well, he’s certainly in the minority on that one.

“Don’t be a draught-horse! Work with pleasure only.” — Henry Miller

We think Miller just didn’t want anyone else to get anything done.

“You’re a Genius all the time” — Jack Kerouac

Now we see what was wrong with Kerouac.

“Don’t have children.” — Richard Ford

Oh, please.

“Stop reading fiction – it’s all lies anyway, and it doesn’t have anything to tell you that you don’t know already (assuming, that is, you’ve read a great deal of fiction in the past; if you haven’t you have no business whatsoever being a writer of fiction).” — Will Self

Again, we’re on board with the latter half of this sentiment, but advising a writer to stop reading? Maybe it works for some, but we can’t support that as blanket advice.

“Never use a long word where a short one will do.” — George Orwell

But what if a long word sounds better? Also, go read some Nabokov.

“Actually if a writer needs a dictionary he should not write. He should have read the dictionary at least three times from beginning to end and then have loaned it to someone who needs it. There are only certain words which are valid and similies (bring me my dictionary) are like defective ammunition (the lowest thing I can think of at this time).” — Ernest Hemingway

The most draconian of the bunch, and very silly.


Hope everyone is having a great week! Happy Writing Ya’ll!!

Writer’s Block Caused By Stress: Ten Ways To Overcome.

I hope everyone had a fabulous time at the WD Conference this weekend. I know you learned a lot, and met some pretty awesome people. I’m sure some of you are already hard at work, critiquing, editing, and rewriting some of your manuscript, just from what you learned at the conference. Good job! Keep those words flowing!

However, a few might be a little overwhelmed, and I know at times for me, it can cause major writer’s block. Don’t get stressed! There are plenty of tips and info out there that may help relieve your writer’s block. This article here, in particular, really helped me. If you’re feeling a tad anxious or stressed from the work you know you have ahead of you, this article by, The Creative Writer’s Desk, can perhaps benefit you as well.

Some of these tips I may have touched on before, but let’s be honest, it’s never a bad idea for a review. Also, check out these great quotes by other authors, on how they combat the dreaded writer’s block – http://writerscircle.com/quotes-to-combat-writers-block/


Stress is one of the top two causes of writer’s block. When your mind is preoccupied it’s difficult, sometimes impossible to focus on creative writing. There are ways to get around it. Sometimes writing can actually be the activity that relieves your stress. Try these techniques to help you to relax and let the words flow. The top 10 ways to beat stress related writer’s block.

1. Designate one place that’s just for writing. It may seem like a simple task but if there is one place that you write every day it makes it easier for your mind to focus on writing and writer’s block won’t be as big of a problem. It’s the same concept as studying in the classroom where you have a test. You’re accustom to the surroundings so when you sit down in that area your mind recognizes that it’s time to write and it will more easily put aside the other worries of the day.

2. Write at least 500 words immediately after you wake up. The morning is when your mind is most rested and relaxed. The act of writing is, psychologically speaking, both soothing and stimulating. It sooths the mind by acting as an outlet for the stress you wake up with, allowing you to face your day with less on your mind. It’s stimulating because it gets your creative juices flowing, like mental pushups. By starting your day with writing, you’ll be facing the world with a creative mindset.

3. Give yourself enough time. Consider writing a prior engagement. If you’re serious about being a writer you have to give yourself enough time to work. Think of it as a relationship. You’ve promised writing that you’re going to devote the 5 o’clock hour to it. It’s a date. If you have to pick up the kids or go to class, pick a different time to write. You can’t write if you rush yourself. It will only add more stress and make the writer’s block worse.

4. Eliminate distractions. It sounds easy but in the world of cell phones and e-mail, it isn’t. Turn off your cell phone, disconnect your Internet or turn your wireless off, and put a “do not disturb” sign on the door. A woman I know has a sign that she puts on her door while writing that says, “If you aren’t bleeding, I don’t care.” Get rid of the clutter in your writing space and keep it that way. Your task is writing. Stick to it.

5. Keep a Journal. This is one of the classic tips of stress relief but how can writing help you with writer’s block? Writing a personal journal and creative writing for an audience are two different tasks. Put pen to paper with your problems in mind and you’ll be surprised what comes out. Sometimes there were stressors in your life that you weren’t even thinking about. Seeing these things in writing sometimes helps you to figure out solutions. Even when it doesn’t, it feels good just to have them written down.

6. Take a power nap. Most working adults and students aren’t getting enough sleep. This can lead to decreased focus and increased stress by 3 or 4 in the afternoon. There are studies that show a 20-minute nap in the afternoon provides more rest than 20 more minutes of sleep in the morning. The equation is simple: more sleep equals less stress equals better focus when writing.

7. You can only change yourself. If there is someone else who doesn’t like you, or your work, there isn’t anything you can do about it. Don’t let other people’s judgments of you affect your judgment of yourself. If your writing isn’t good enough for someone else, but it’s the best your capable of doing, then it’s their problem. It’s easier to say than do but you can learn to see past their opinions. When someone tells you something that sounds negative don’t immediately respond. Repeat their words in your head and ask yourself, is this constructive criticism or destructive criticism? If it’s constructive, consider their advice and ask questions. If it’s destructive, smile at them and thank them for their opinion. Watching how annoyed they get when you don’t seem hurt is often humorous in itself (also a technique for relieving stress).

8. Exercise. Take a walk. Do yoga. Dancercise. Whatever will get your blood moving will get more oxygen to your brain and allow you to think more clearly. You’ll feel better about yourself because exercise is productive and healthy and you’ll feel better about writing when you get to it.

9. Take a break. Unless you’re on a strict deadline, whatever project you’re working on can wait. Sometimes, feeling trapped into one project can be stressful enough to cause writer’s block. If you’re working on a novel, put it to the side for a few days and try a short story or an essay. The change of pace is sometimes a relief and your mind will probably continue to work on the larger project behind the scenes. In a day or two you’ll wake up with a brilliant new direction so keep a notebook ready.

10. Volunteer. If you have the time, and be honest with yourself about the time you actually have, spend some of it helping others. Volunteer at a hospital, library, school, or community center. The feeling that you’re helping others is a simple way to overcoming stress and writer’s block. As human beings we’re naturally very self-focused. By getting out and helping others it allows us to see that our problems aren’t the only problems in the world. For writers, volunteering also adds to the material and experiences that we later turn into creative writing. Win-win-win.


I would so so so love to hear about how everyone did at the conference and what they thought about it. Feel free to comment or message me on here, or any of my social media sites! Thanks again for reading, and of course, writing!!!

Happy Writing Ya’ll!!

6 Ways to Hook your Reader from the Very First Line

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I’d like to take a quick second, and wish everyone a great writing conference experience this weekend! Do ya’ll have butterflies yet? Are ya’ll panicking that you forgot to pack something? It’s crazy to think that it’s been a whole year since I was doing the exact same thing as all of you. Like I said before, just relax and have a great time!!! I’ll be thinking about ya’ll! I would love to hear some experiences when ya’ll get back!

So, on to our subject today. Obviously, it’s important to keep your readers interested. Sure, not all of your book is going to keep your reader on the edge of their seat (well, unless it’s an intense thriller or mystery). But, let’s face it, there will possibly be a slow paced part in your manuscript. That’s cool. There’s nothing wrong with that.

But, you need to make sure that it’s not excessive or lingers throughout your manuscript. The worst thing a writer can do, is fill the pages with words just for a word count. You don’t want your reader to start skipping or skimming over pages. It can happen in all sorts of ways, starting with too much description, or dialogue that doesn’t really have a purpose. With the snap of your fingers, it can cause your reader to sit your book down and move on to the next. Believe me, there are plenty of choices for them out there. Don’t aid them in choosing a different book.

But, before you start worrying about the middle or end of your manuscript, the valleys and peaks of it, you must concentrate on capturing your audience with the first few pages. This is very important as well, when searching for a literary agent. Agents are VERY busy, and if you can’t grab their attention in the first single page, some will simply move on to the next manuscript in front of them.

Something they said at the conference that stuck with me, is that every reader who picks up a book, goes through a process when they’re interest is sparked. The cover or title of the book catches their eye first, then they flip the book over to the back. Still intrigued, they move to the inside jacket flap, and if you’ve hit gold, igniting their interest even more, they begin to read the first page or first few pages. This, is where you get them hooked. So, the question is, how do you do that? How do you capture your readers, whether it’s a literary agent or a bookstore customer, from the very beginning?

I found this article by, Suzannah Windsor Freedom, about how to do just that.


Although I consider myself an avid reader, I must admit I have a short attention span when it comes to getting into books. If you fail to grab my attention in the first few lines, I start spacing out.

Most readers are like me. Most people don’t want to spend the first 50 pages trying to get into a book.

Here are a few things I find annoying in the first lines of a story:

  • Dialogue. Nice somewhere on the first or second page, but not in the first line. We won’t know who’s speaking or why we should care.
  • Excessive description. Some description is good, but not when it’s long winded. Skip the purple prose and opt for something more powerful.
  • Irrelevant information. The first few lines of your story are crucial, so give your reader only important information.
  • Introducing too many characters. I don’t like to be bombarded with the names of too many characters at once. How are we supposed to keep them straight when we don’t know who’s who?

The last thing you want to do as a writer is annoy or bore people. Instead, try one of these 6 ways to hook your readers right off the bat:

(N.B. One of the easiest ways to check out the opening pages of nearly any book you want is with the ‘Look Inside!‘ feature on Amazon.com.)

1. Make your readers wonder.

Put a question in your readers’ minds. What do those first lines mean? What’s going to happen? Make them wonder, and you’ll keep them reading.

2. Begin at a pivotal moment.

By starting at an important moment in the story, your reader is more likely to want to continue so he or she can discover what will happen next.

  • “It was dark where she was crouched but the little girl did as she’d been told.” ~Kate Morton, The Forgotten Garden
  • “I became what I am today at the age of twelve, on a frigid overcast day in the winter of 1975.” ~Khaled Hosseini, The Kite Runner

3. Create an interesting picture.

Description is good when it encourages people to paint a picture in their minds. Often, simple is best so it’s the reader who imagines a scene, instead of simply being told by the author.

  • “Last night I dreamt I went to Manderley again.” ~Daphne DuMaurier, Rebecca
  • “She stands up in the garden where she has been working and looks into the distance.” ~Michael Ontaatje, The English Patient

4. Introduce an intriguing character.

The promise of reading more about a character you find intriguing will, no doubt, draw you into a story’s narrative. Most often, this is one of the main characters in the book.

  • “I was born twice: first as a baby girl on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974.” ~Jeffrey Eugenides, Middlesex

5. Start with an unusual situation.

Show us characters in unusual circumstances, and we’ll definitely be sticking around to see what it’s all about.

  • “They had flown from England to Minneapolis to look at a toilet.” ~Nick Hornby, Juliet, Naked
  • Last night, I dreamt that I chopped Andrew up into a hundred little pieces, like a Benihana chef, and ate them, one by one.” ~Julie Buxbaum, The Opposite of Love

6. Begin with a compelling narrative voice.

Open your story with the voice of a narrator we can instantly identify with, or one that relates things in a fresh way.

  • “As I begin to tell this, it is the golden month of September in southwestern Ontario.” ~Alistair MacLeod, No Great Mischief
  • “I am ninety. Or ninety-three. One or the other.” ~Sara Gruen, Water for Elephants

No matter how you start your book, keep your readers in mind. What will make them want to continue reading? What will potentially make them put down your book?

How does your favorite book open, and what makes it so compelling?


Hope everyone has a stupendous, exhilarating weekend!!

Happy Writing, Editing, Pitching, and Conferencing Ya’ll!!